Every voice the studio can narrate or speak a part in. Press play to hear one; clone it to keep it in your own list.
Sounds like a page turning slowly: warm alto, hushed and even — documentaries and long-form narration.
ur_f_017
The night-shift narrator: deep contralto, slow and hushed — documentaries and long-form narration.
ur_f_021
Slow and soft, yet unmistakably low — a mature contralto for documentaries and long-form narration.
ur_f_022
Light, unhurried and natural — a bright young soprano for long-form narration and conversational formats.
ur_f_023
An elder's unhurried warmth: low alto, slow and natural — documentaries and long-form narration.
hi_f_003
Sounds like a long evening walk: slow, soft alto — documentaries and long-form narration.
ar_f_009
A matriarch's cadence: deep contralto, slow, strong and even — documentaries and long-form narration.
ar_f_015
Slow pace, strong presence — a deep mature contralto for documentaries and long-form narration.
ar_f_019
Sounds like a story told after dinner: slow, soft mature alto — documentaries and long-form narration.
ar_f_021
Deep, hushed and perfectly level at a slow pace — made for documentaries and long-form narration.
ar_f_022
Alto, slow and evenly balanced — made for documentaries and long-form narration.
en_f_002
For audiences who want it spelled out calmly: slow, even mezzo — long-form narration and conversational formats.
en_f_010
Sounds like an archive opened slowly: deep, unhurried, even — documentaries and long-form narration.
en_f_012
Slow pace, strong footing — a warm alto for documentaries and long-form narration.
en_f_013
Warm alto, slow and balanced with natural phrasing — made for documentaries and long-form narration.
en_f_028